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September 29, 2007

Addendum: NRSV XL

In my earlier review of the new Standard NRSV and Go Anywhere NRSV published by Harper Collins, I mentioned the NRSV XL only in passing. At the time of writing, I hadn't seen one in person. Now I have, and I'm both impressed and baffled.

I'm impressed because, of the three editions available, the XL has by far the best cover. It's imitation leather, but not hardback like the Standard and not as bulky, textured and two-toned as the Go Anywhere. Instead, the XL is offered in an attractive solid tan and an even classier dark brown. As the name suggests, the XL is a bigger Bible -- the official trim size is 7.5 x 8, and the essentially square format is actually quite attractive. In spite of the size, it feels good in the hand. Opening it up, the layout is impressive, too. It's a large print Bible. The copy on the Harper Collins site assures us that "no one will feel that they have been relegated to ugly and bulky larger print editions by purchasing an XL," and they're absolutely right. The XL looks good, and the interior (unlike the Go Anywhere) rivals the Standard NRSV in elegance.

Now here's why I'm baffled: once again, it feels like some great pieces were on the design table, but they were assembled the wrong way. The cover feels great and looks great, but the XL is just too big. I understand it's a large print -- but I don't need one. If you do, and you like the NRSV, there is no downside. Both the Standard NRSV and the Go Anywhere appear to have sewn bindings, so presumably the XL does too (I didn't check). But I would like the Standard much better if it had a cover like the XL. By putting the most attractive color/cover options on the most specialized of the three offerings, it seems like Harper Collins has missed an opportunity.

What I'd love to see, in a future run, is the interior setting of the Standard NRSV reduced down to about 75% of its current size, with the same tan and dark brown cover options as the XL. (And while I'm wishing, I'd put two ribbons in it, as well.) Then you'd have the ultimate NRSV and probably the most attractive Bible at the low end of the price range.

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What are the margins like? I have the hardest time finding a mid-level bible with really nice, good margins. I have one large print bible and I enjoy it because I can write between the lines. It is a hardback John Macarthur study bible in NKGV that I picked up for cost when I worked at a bookshop. It too doesn't look as funky as other large prints I have seen and sold, but it is not really a translation I enjoy and I really don't like the notes either.

This square format actually sounds cool. I always enjoy textbooks that are more square, and having this much size seems that it would be very handy to mark in....yes I am one of those people.

Chad, if you follow this link, you can see what it looks like inside:

http://www.nrsv.net/lookInside_XL.html

In person, it's a little more attractive than the page image suggests -- the two-page spread is more balanced somehow than the page on its own. But the margins are pretty tight and I don't think there's room to write between the lines. By the way, the entire line was available (with all the color options) at my local Barnes & Noble, so this would probably be an easy one to check out in person.

I saw one today at Cokesbury on campus here at Asbury and I was pretty disappointed. The square format looked as cool as I thought it would but the margins were really tight. I know at one point in time Asbury required students to have a wide margin NRSV (or maybe an RSV) to build their own study bible while they were getting their masters...I think I am going to ask around to find out if anyone knows where to get one.

But I am with you. I REALLY REALLY REALLY wish there was a good single column, wide margin ESV out there.

There is also a Catholic edition XL with a green cover that I like better than the tan or brown.

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  • J. Mark Bertrand lectures at Worldview Academy and is the author of Rethinking Worldview: Learning to Think, Live, and Speak in This World (Crossway, 2007). After spending most of his life in Houston, Texas, he now lives with his wife Laurie in South Dakota. He has a BA in English from Union University and an MFA in Creative Writing from the University of Houston, where he worked as production editor of the literary magazine Gulf Coast. For several years, he served on the board of Strange Land Literacy Foundation, a non-profit promoting literature, theology, culture studies and fellowship in Houston. Until recently, he was the fiction editor at Relief Journal, where he now serves on the advisory board.

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